{"id":70,"date":"2020-11-20T00:12:49","date_gmt":"2020-11-20T00:12:49","guid":{"rendered":"http:\/\/www.tipo.pt\/?page_id=70"},"modified":"2020-12-07T16:04:16","modified_gmt":"2020-12-07T16:04:16","slug":"bibliografia","status":"publish","type":"page","link":"https:\/\/www.tipo.pt\/fr\/bibliografia\/","title":{"rendered":"Bibliographie"},"content":{"rendered":"<p>Chaque fiche technique peut comprendre une bibliographie sp\u00e9cifique. Toutefois TIPO.PT sugg\u00e8re une courte liste de titres et r\u00e9f\u00e9rences bibliographiques sur les livres d&rsquo;Artistes et \u00c9ditions d&rsquo;Auteur. Tout comme l&rsquo;archive TIPO.PT, cette liste est le fruit d&rsquo;une recherche en cours et sera r\u00e9guli\u00e8rement mise \u00e0 jour. Les sites Web ont \u00e9t\u00e9 consult\u00e9s pendant le mois de Mars 2013.<\/p>\r\n<p class=\"cabecalhos\">Bibliographie en portugais, textes sur des auteurs et\/ou le panorama portugais de l&rsquo;edition d&rsquo;auteur et le livre d&rsquo;artiste<\/p>\r\n<p>AA.VV. \u2013\u00a0<span class=\"italicobold\">Jornal da Oficina do Cego #1<\/span>. Lisbonne, Juin de 2010. (p\u00e9riodique)<\/p>\r\n<p>AA.VV. \u2013\u00a0<span class=\"italicobold\">Jornal da Oficina do Cego #2<\/span>. Lisbonne, Novembre de 2010. (p\u00e9riodique)<\/p>\r\n<p>AA.VV. \u2013\u00a0<span class=\"italicobold\">Jornal da Oficina do Cego #3<\/span>. Lisbonne, Mars de 2011. (p\u00e9riodique)<\/p>\r\n<p>AA.VV. \u2013\u00a0<span class=\"italicobold\">Journal of Artists&rsquo; Books<\/span>. n\u00ba29. Ed. Center for Book &amp; Paper Arts, Columbia College Chicago. Spring, 2011. (p\u00e9riodique)<\/p>\r\n<p>AA.VV. \u2013\u00a0<span class=\"italicobold\">Journal of Artists&rsquo; Books<\/span>, n\u00ba30. Ed. Center for Book &amp; Paper Arts, Columbia College Chicago. Fall, 2011. (p\u00e9riodique)<\/p>\r\n<p>AA.VV. \u2013\u00a0<span class=\"italicobold\">Da Impress\u00e3o ao Livro de Artista: Contextos de Edi\u00e7\u00e3o<\/span>. Coord. Graciela Machado. Porto, FBAUP, 2011.<\/p>\r\n<p>AA.VV. \u2013\u00a0<span class=\"italicobold\">Journal of Artists&rsquo; Books<\/span>. n\u00ba32. Ed. Center for Book &amp; Paper Arts, Columbia College Chicago. Fall, 2012. (p\u00e9riodique)<\/p>\r\n<p>AA.VV. \u2013\u00a0<span class=\"italicobold\">Jornal da Oficina do Cego #4<\/span>. Lisbonne, D\u00e9cembre de 2012. (p\u00e9riodique) Pdf disponible\u00a0<a href=\"http:\/\/tipo.pt\/pdf_tipo\/jornal_oficina_cego4.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">ici<\/a><\/p>\r\n<p>AA.VV. \u2013\u00a0<span class=\"italicobold\">P\u00f3s: revista do programa de p\u00f3s gradua\u00e7\u00e3o em Belas Artes da UFMG<\/span>. V. 2, n\u00ba3. Belo Horizonte, Mai 2012. (p\u00e9riodique)<\/p>\r\n<p>AA.VV. \u2013\u00a0<span class=\"italicobold\">Revista Est\u00fadio #6, Livro de Artista<\/span>. Lisbonne, FBAUL, 2012. (p\u00e9riodique)<\/p>\r\n<p>AGUIAR, Fernando \u2013\u00a0<span class=\"italicobold\">Concreta, Experimental, Visual<\/span>. Org. por Gabriel Rui Silva. Lisbonne, Instituto de Cultura e L\u00edngua Portuguesa, 1989.<\/p>\r\n<p>AGUIAR, Fernando Silvestre Pestana \u2013\u00a0<span class=\"italicobold\">Poemografias<\/span>. Lisbonne, Ulmeiro, 1985.<\/p>\r\n<p>ANTUNES, Margarida Eiras \u2013\u00a0<span class=\"italicobold\">Livro de Artista<\/span>. Coord. Telma Rodrigues. Lisbonne, C\u00e2mara Municipal de Lisboa, 1992.<\/p>\r\n<p>BUARQUE, Irene \u2013\u00a0<span class=\"italicobold\">Livro de Artista<\/span>. Lisbonne, Sociedade Nacional de Belas Artes, 1998.<\/p>\r\n<p>CAD\u00d4R, Amir Brito \u2013\u00a0<span class=\"italicobold\">Imagens Escritas<\/span>. Th\u00e8se de Masters, Unicamp, 2007.\u00a0<\/p>\r\n<p>CARRI\u00d3N, Ulises \u2013\u00a0<span class=\"italicobold\">A Nova Arte de Fazer Livros<\/span>. Trad. Amir Brito Cad\u00f4r. Belo horizonte, c\/arte, 2011.<\/p>\r\n<p>FREIRE, Cristina \u2013\u00a0<span class=\"italicobold\">Po\u00e9ticas do Processo: Arte Conceitual no Museu<\/span>. S\u00e3o Paulo, Iluminuras, 1999.<\/p>\r\n<p>PIRES, Paulo do Vale \u2013\u00a0<span class=\"italicobold\">Tarefas Infinitas, Quando a Arte e o Livro se Ilimitam<\/span>. Lisbonne, Fund. Calouste Gulbenkian, 2012.<\/p>\r\n<p>SILVEIRA, Paulo \u2013\u00a0<span class=\"italicobold\">A P\u00e1gina Violada\u00a0: Da Ternura \u00e0 Injuria na Constru\u00e7\u00e3o do Livro de Artista<\/span>. Rio Grande do Sul, UFRGS, 2001.<\/p>\r\n<p>SILVEIRA, Paulo \u2013\u00a0<span class=\"italicobold\">As Exist\u00eancias da Narrativa no Livro de Artista<\/span>. Th\u00e8se de Doctorat, UFRGS, 2008.<br \/>Pdf disponible sur\u00a0<a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/12111\" target=\"_blank\" rel=\"noopener noreferrer\">www.lume.ufrgs.br\/handle\/10183\/12111<\/a>\u00a0et\u00a0<a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/12111%20ou%20em%20http:\/\/pct.capes.gov.br\/teses\/2008\/42001013055P8\/TES.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">pct.capes.gov.br\/teses\/2008\/42001013055P8\/TES.pdf<\/a><\/p>\r\n<p class=\"cabecalhos\">Bibliographie sur \u00e9dition d&rsquo;auteur et livres d&rsquo;artiste<\/p>\r\n<p>Magazine\u00a0<span class=\"italicobold\">Umbrella<\/span>\u00a0et\u00a0<span class=\"italicobold\">The Umbrella Journal<\/span>, archive entre 1978 et 2008.\u00a0<a href=\"http:\/\/www.umbrellaeditions.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">www.umbrellaeditions.com<\/a><\/p>\r\n<p>Magazine\u00a0<span class=\"italicobold\">The Bone Folder<\/span>, archive entre 2004 et 2012.\u00a0<a href=\"http:\/\/www.philobiblon.com\/bonefolder\/\" target=\"_blank\" rel=\"noopener noreferrer\">www.philobiblon.com\/bonefolder<\/a><\/p>\r\n<p>Catalogue online de l&rsquo;exposition \u00ab\u00a0<span class=\"italicobold\">To Illustrate and Multiply<\/span>\u00a0\u00bb organis\u00e9e par MOCA \u2013 Museum of Contemporary Art, Los Angeles.\u00a0<a href=\"http:\/\/moca.org\/openbook\/sequences.php\" target=\"_blank\" rel=\"noopener noreferrer\">moca.org\/openbook\/sequences.php<\/a><\/p>\r\n<p><span class=\"italicobold\">The Journal of Artists&rsquo; Books.\u00a0<\/span><a href=\"http:\/\/www.journalofartistsbooks.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">www.journalofartistsbooks.org<\/a><\/p>\r\n<p>Magazine online\u00a0<span class=\"italicobold\">So Multiples<\/span>. ISSN 1961-9618.\u00a0<a href=\"http:\/\/www.so-multiples.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">www.so-multiples.com<\/a><\/p>\r\n<p>AA.VV. \u2013\u00a0Revue\u00a0<span class=\"italicobold\">M\u00e9lusine n\u00ba IV<\/span>. num\u00e9ro th\u00e9matique\u00a0<em>Le Livre Surr\u00e9aliste<\/em>. Dir. Henri B\u00e9har, Editions L&rsquo;Age d&rsquo;Homme. Lausanne, 1982.<\/p>\r\n<p>AA.VV. \u2013\u00a0<span class=\"italicobold\">Books by Artists<\/span>. Bristol, Impact Press, 1999. Pdf disponible sur\u00a0<a href=\"http:\/\/www.bookarts.uwe.ac.uk\/bba99\/bba.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">www.bookarts.uwe.ac.uk\/bba99\/bba.pdf<\/a><\/p>\r\n<p>AA.VV. \u2013\u00a0<span class=\"italicobold\">Books as Art<\/span>. Boca Raton, Boca Raton Museum of Art, 1991.<\/p>\r\n<p>AA.VV. \u2013\u00a0<span class=\"italicobold\">Printed Matter, Books by Artists<\/span>. New York, DIA, 1992.<\/p>\r\n<p>AA.VV. &#8211;\u00a0<span class=\"italicobold\">Impressions d&rsquo;artistes: variation sur le livre<\/span>. Paris, Biblioth\u00e8que National de France, 1996.<\/p>\r\n<p>AA.VV. \u2013\u00a0<span class=\"italicobold\">A Tale of Two Cities<\/span>. Bristol, Impact Press, 2001. Pdf disponible sur\u00a0<a href=\"http:\/\/www.bookarts.uwe.ac.uk\/freepub\/2Cits.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">www.bookarts.uwe.ac.uk\/freepub\/2Cits.pdf<\/a><\/p>\r\n<p>AA.VV. \u2013\u00a0<span class=\"italicobold\">Guardare Racontare Pensare Conservare<\/span>. M\u00e2ntua, Corraini, 2004.<\/p>\r\n<p>AA.VV. \u2013\u00a0<span class=\"italicobold\">Livres d&rsquo;Artistes. L&rsquo;esprit de r\u00e9seau<\/span>. Nouvelle Revue d&rsquo;Esth\u00e9tique, n\u00ba2. PUF &#8211; Presses Universitaires de France. Paris, 2008.<\/p>\r\n<p>AA.VV \u2013\u00a0<span class=\"italicobold\">Pratiques, R\u00e9flexions sur l&rsquo;Art.<\/span>\u00a0n\u00ba 21, num\u00e9ro th\u00e9matique \u00ab\u00a0<span class=\"italicobold\">Pratiques discr\u00e8tes de l&rsquo;Art et leurs non-lieux<\/span>\u00ab\u00a0. Presses Universitaires de Rennes. Rennes, Automne 2010.<\/p>\r\n<p>AA.VV. \u2013\u00a0<span class=\"italicobold\">Libros de Artista\/Proyectos editoriales\/publicaciones especiales<\/span>. Impasse #10. Ed. Centre d&rsquo;Art la Panera. Lleida, 2011.<\/p>\r\n<p>AA.VV. \u2013\u00a0<span class=\"italicobold\">Passant P\u00e0gina. El Llibre com a territori d&rsquo;art<\/span>. Catalunha, Departamento de Cultura da Catalunha, 2012. Pdf disponible sur\u00a0<a href=\"http:\/\/issuu.com\/amir_brito\/docs\/paginas\" target=\"_blank\" rel=\"noopener noreferrer\">issuu.com\/amir_brito\/docs\/paginas<\/a><\/p>\r\n<p>AA.VV. \u2013\u00a0<span class=\"italicobold\">Books!<\/span>\u00a0Coord. Melania Gazzotti. Bolonha, Silvana Editoriale, 2012.<\/p>\r\n<p>AA.VV. \u2013\u00a0<span class=\"italicobold\">Publier)\u2026(Exposer. Les pratiques \u00e9ditoriales et la question de l&rsquo;exposition<\/span>. N\u00eemes, \u00c9cole Sup\u00e9rieure des Beaux-Arts de N\u00eemes, 2012.<\/p>\r\n<p>ALLEN, Gwen \u2013\u00a0<span class=\"italicobold\">Artists&rsquo; Magazines: An Alternative Space for Art<\/span>. Cambridge, MIT Press, 2011.<\/p>\r\n<p>ARNAR, Anna Sigr\u00eddur \u2013\u00a0<span class=\"italicobold\">The Book as Instrument<\/span>. Chicago, The University of Chicago Press, 2011.<\/p>\r\n<p>BARTRAM, Alan \u2013\u00a0<span class=\"italicobold\">Creating the Printed Page<\/span>. Londres, BAS Printers\/The British Library, 2000.<\/p>\r\n<p>BARTRAM, Alan \u2013\u00a0<span class=\"italicobold\">Bauhaus, Modernism &amp; the Illustrated Book<\/span>. Londres, The British Library, 2004.<\/p>\r\n<p>BELLO, Patrizia di, WILSON, Colette et ZAMIR, Shamoon \u2013\u00a0<span class=\"italicobold\">The Photobook from Talbot to Ruscha and Beyond<\/span>. Londres \/ New York, I. B. Tauris, 2012.<\/p>\r\n<p>BLEUS, Guy \u2013\u00a0<span class=\"italicobold\">Art is Books<\/span>. Hasselt, Culturele Aangelegenheden, 1991.<\/p>\r\n<p>BODMAN, Sarah et SOWDEN, Tom \u2013\u00a0<span class=\"italicobold\">A Manifesto for the Book<\/span>. Bristol, Impact Press, 2010. Pdf disponible sur\u00a0<a href=\"http:\/\/www.bookarts.uwe.ac.uk\/cases_canon\/manifbk.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">www.bookarts.uwe.ac.uk\/cases_canon\/manifbk.pdf<\/a><\/p>\r\n<p>BODMAN, Sarah \u2013\u00a0<span class=\"italicobold\">Creating Artists&rsquo; Books<\/span>. Londres, A &amp; C Black, 2005.<\/p>\r\n<p>BODMAN, Sarah \u2013\u00a0<span class=\"italicobold\">Artists&rsquo; Books Creative Production and Marketing<\/span>. Bristol, Impact Press, 2005. Pdf disponible sur\u00a0<a href=\"http:\/\/www.bookarts.uwe.ac.uk\/CPM.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">www.bookarts.uwe.ac.uk\/CPM.pdf<\/a><\/p>\r\n<p>BOIVENT, Marie \u2013\u00a0<span class=\"italicobold\">Revues d&rsquo;Artistes<\/span>. Foug\u00e8res\/Rennes\/Paris, Association Arcade\/Lendroit Galerie\/\u00c9ditions Provisoires, 2008.<\/p>\r\n<p>BRENT, Bill et BIEL, Joe \u2013\u00a0<span class=\"italicobold\">Make a Zine!<\/span>\u00a0Portland, Microcosme Publishing, 2008.<\/p>\r\n<p>BRIGHT, Betty \u2013\u00a0<span class=\"italicobold\">No Longer Innocent: Book Art in America 1960-1980<\/span>. New York, Granary Books, 2005.<\/p>\r\n<p>BROGOWSKI, Leszek \u2013\u00a0<span class=\"italicobold\">Livres imprim\u00e9s et maquettes<\/span>. Rennes, Les Editions Incertain sens, Rennes\/Universit\u00e9 Rennes 2, 2003. Pdf disponible sur\u00a0<a href=\"http:\/\/www.sites.univ-rennes2.fr\/arts-pratiques-poetiques\/incertain-sens\/Collection_Varia\/Catalogue-jaune\/Je_suis_partie_prenante_fr.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">www.sites.univ-rennes2.fr\/arts-pratiques-poetiques\/incertain-sens\/Collection_Varia\/Catalogue-jaune\/Je_suis_partie_prenante_fr.pdf<\/a><\/p>\r\n<p>BROGOWSKI, Leszek &#8211;\u00a0<span class=\"italicobold\">\u00c9diter L&rsquo;Art, Le Livre d&rsquo;Artiste et L&rsquo;Histoire du Livre<\/span>. Chatou, Les \u00c9ditions de la Transparence, 2010.<\/p>\r\n<p>BUNTING, Lynda &#8211;\u00a0<span class=\"italicobold\">What an Artist&rsquo;s Book Is<\/span>. Pdf disponible sur\u00a0<a href=\"http:\/\/www.moca.org\/openbook\/essay2.php\" target=\"_blank\" rel=\"noopener noreferrer\">www.moca.org\/openbook\/essay2.php<\/a><\/p>\r\n<p>BURY, Stephen \u2013 A<span class=\"italicobold\">rtists&rsquo; Books \u2013 The Book as a Work of Art 1963-1995<\/span>. Londres, Scholar Press, 1995.<\/p>\r\n<p>BURY, Stephen \u2013\u00a0<span class=\"italicobold\">Artists&rsquo; Multiples 1935-2000<\/span>. Ashgate, Hants, 2001.<\/p>\r\n<p>CARRI\u00d3N, Ulises &#8211;\u00a0<span class=\"italicobold\">Quant aux Livres \/ On Books<\/span>. Genebra, H\u00e9ros-Limite, 2008.<\/p>\r\n<p>CASTLEMAN, Riva \u2013\u00a0<span class=\"italicobold\">A Century of Artists Books<\/span>. New York, MoMA, 1994.<\/p>\r\n<p>CELANT, Germano \u2013\u00a0<span class=\"italicobold\">Book as Artwork 1960\/1972<\/span>. New York, 6 Decades Books, 2010.<\/p>\r\n<p>COURTNEY, Cathy \u2013\u00a0<span class=\"italicobold\">Speaking of Book Art: Interviews with British and American Book Artists<\/span>. Los Altos Hills, Anderson-Lovelace, 1999.<\/p>\r\n<p>DELLEAUX, Oc\u00e9ane \u2013\u00a0<span class=\"italicobold\">Le Multiple d&rsquo;Artiste<\/span>. Paris, L&rsquo;Harmattan, 2011.<\/p>\r\n<p>DESJARDIN, Arnaud \u2013\u00a0<span class=\"italicobold\">The Book on Books on Artists Books<\/span>. Londres, The Everyday Press, 2011.<\/p>\r\n<p>DRUCKER, Johanna \u2013\u00a0<span class=\"italicobold\">The Century of Artists&rsquo; Book<\/span>s. New York, Granary Books, 1995.<\/p>\r\n<p>DRUCKER, Johanna \u2013\u00a0<span class=\"italicobold\">Books: 1970-1994<\/span>. New York, Granary Books, 1994.<\/p>\r\n<p>DRUCKER, Johanna \u2013\u00a0<span class=\"italicobold\">Figuring the world: Essays on Books<\/span>, Writing and Visual Poetics. NY, Granary Books, 1998.<\/p>\r\n<p>DRUCKER, Johanna \u2013\u00a0<span class=\"italicobold\">Luminous Volumes<\/span>. New York, Granary Books, 1993.<\/p>\r\n<p>DRUCKER, Johanna et GASS, William Howard \u2013\u00a0<span class=\"italicobold\">The Dual Muse. The Writer as Artist, The Artist as Writer<\/span>. St, Louis, Washington University Gallery of Art, 1997.<\/p>\r\n<p>GANGLOFF, Paul, BENNEWITH, David et TATTERSALL, Dorrie \u2013\u00a0<span class=\"italicobold\">Punk: Periodical Collection: on Self-publishing Practices: Dilettants, Imposters, Rats<\/span>. Maastricht, Jan Van Eyck Akademie, 2012.<\/p>\r\n<p>FLYNN JONSON, Robert et STEIN, Donna \u2013\u00a0<span class=\"italicobold\">Artists&rsquo; Books in the Modern Era 1870-2000<\/span>. San Francisco, Fine Arts Museums of San Francisco, 2001.<\/p>\r\n<p>FOSTER, Elena et WATSON, Rowan \u2013 Blood on Paper: Artists and Books. Londres, V&amp;A\/Ivory Press, 2008.<\/p>\r\n<p>FUSCO, Maria et HUNT, Ian \u2013\u00a0<span class=\"italicobold\">Put About: A Critical Anthology on Independent Publishing<\/span>. Londres, Book works, 2004.<\/p>\r\n<p>HOGBEN, Carol et WATSON, Rowan \u2013\u00a0<span class=\"italicobold\">From Manet to Hockney: Modern Artists&rsquo; Illustrated Books<\/span>. London, Victoria and Albert Museum, 1985.<\/p>\r\n<p>HUBERT, Ren\u00e9e Riese et HUBERT, Judd D. \u2013\u00a0<span class=\"italicobold\">The Cutting Edge of Reading: Artists&rsquo; Books<\/span>. New York, Granary Books, 1999.<\/p>\r\n<p>KELLER, Christoph et LAILACH, Michael (Eds.) \u2013\u00a0<span class=\"italicobold\">KIOSK, Modes of Multiplication. A Sourcebook on Independent Art Publishing 1999-2009<\/span>. Berlim, JRP\/ Ringer e Kunstbibliothek Staatliche Museen zu Berlin, 2009<\/p>\r\n<p>KLIMA, Stefan \u2013\u00a0<span class=\"italicobold\">Artists Books: a Critical Survey of the Literature<\/span>. New York, Granary Books, 1998.<\/p>\r\n<p>LANE Brian et CORACLE PRESS \u2013\u00a0<span class=\"italicobold\">The Artist Publisher<\/span>. Londres, Crafts Council Gallery, 1986.<\/p>\r\n<p>LYONS, Joan \u2013\u00a0<span class=\"italicobold\">Artists&rsquo; Books:\u00a0a Critical Anthology and Sourcebook<\/span>. New York, Visual Studies Workshop Press, 1985.<\/p>\r\n<p>MARK, Lisa Gabrielle \u2013\u00a0<span class=\"italicobold\">What Time Looks Like at the Moment: Artists Sequencing Books<\/span>. Pdf disponible sur\u00a0<a href=\"http:\/\/www.moca.org\/openbook\/essay1.php\" target=\"_blank\" rel=\"noopener noreferrer\">www.moca.org\/openbook\/essay1.php<\/a><\/p>\r\n<p>MOEGLIN-DELCROIX, Anne \u2013\u00a0<span class=\"italicobold\">Esth\u00e9tique du livre d&rsquo;artiste<\/span>. Paris, Ed. Jean Michel Place\/Biblioth\u00e8que National de France, 1997.<\/p>\r\n<p>MOEGLIN-DELCROIX, Anne e MIESSNER, Marie-C\u00e9cile \u2013\u00a0<span class=\"italicobold\">Livres d&rsquo;artistes\u00a0: l&rsquo;invention d&rsquo;un genre 1960-1980<\/span>. Paris, Biblioth\u00e8que Nationale de France, 1997.<\/p>\r\n<p>MOEGLIN-DELCROIX \u2013 Anne \u2013\u00a0<span class=\"italicobold\">Sur le livre d&rsquo;Artiste, articles et \u00e9crits de circonstance (1981-2005)<\/span>. Marseille, Le mot et le reste, 2006.<\/p>\r\n<p>WALLIS, Brian \u2013\u00a0<span class=\"italicobold\">The Artist Book and Postmodernism<\/span>. New York, D.A.P\/ The American Federation of Arts, 1998.<\/p>\r\n<p>WEITMAN, Wendy et WYE, Deborah \u2013\u00a0<span class=\"italicobold\">Eye on Europe: Prints, Books and Multiples<\/span>. 1960 to now. New York, MoMA, 2006.<\/p>\r\n<p>PHILLPOT, Clive &#8211;\u00a0<em>Booktrek<\/em>. Zurique, JRP|Ringier, 2013.<\/p>\r\n<p>PHILLPOT, Clive et LAUF, Corn\u00e9lia \u2013<span class=\"italicobold\">\u00a0Artist\/Author \u2013 Contemporary Artists&rsquo; Books<\/span>. New York, D.A.P\/ The American Federation of Arts, 1998.<\/p>\r\n<p>PHILLPOT, Clive et NORDGREN, Sune \u2013\u00a0<span class=\"italicobold\">Outside of a Dog: Paperbags and other Books by Artists<\/span>. Newcastle, BALTIC, 2003. Pdf disponible sur\u00a0<a href=\"http:\/\/issuu.com\/amir_brito\/docs\/outsideadog\" target=\"_blank\" rel=\"noopener noreferrer\">issuu.com\/amir_brito\/docs\/outsideadog<\/a><\/p>\r\n<p>ROLO, Jane et HUNT, Ian \u2013\u00a0<span class=\"italicobold\">Book Works: A Partial History and Sourcebook<\/span>. Londres, Book Works, 1996.<\/p>\r\n<p>ROTHENBERG, Jerome et CLAY, Steven \u2013\u00a0<span class=\"italicobold\">A Book of the Book: Some Works &amp; Projections About the Book &amp; Writing<\/span>. New York, Granary, 2000.<\/p>\r\n<p>SCHRAENEN, Guy et BESACIER, Hubert \u2013\u00a0<span class=\"italicobold\">Guy Schraenen Collectionneurs (fragment)<\/span>. Saint-Yrieix-la-Perche, Pays-Paysage, 1995.<\/p>\r\n<p>TURNER, Silvie et TYSON, Ian \u2013\u00a0<span class=\"italicobold\">British Artists&rsquo; Books, 1970-1983: an Exhibition<\/span>. London, Lund Humphries, 1984.<\/p>\r\n<p>TURNER, Silvie \u2013\u00a0<span class=\"italicobold\">Facing the Page: British Artists&rsquo; Books: a Survey 1983-1993<\/span>. London, Estamp, 1993.<\/p>","protected":false},"excerpt":{"rendered":"<p>Chaque fiche technique peut comprendre une bibliographie sp\u00e9cifique. Toutefois TIPO.PT sugg\u00e8re une courte liste de titres et r\u00e9f\u00e9rences bibliographiques sur les livres d&rsquo;Artistes et \u00c9ditions d&rsquo;Auteur. Tout comme l&rsquo;archive TIPO.PT, cette liste est le fruit d&rsquo;une recherche en cours et sera r\u00e9guli\u00e8rement mise \u00e0 jour. Les sites Web ont \u00e9t\u00e9 consult\u00e9s pendant le mois de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-tipo-width.php","meta":[],"_links":{"self":[{"href":"https:\/\/www.tipo.pt\/fr\/wp-json\/wp\/v2\/pages\/70"}],"collection":[{"href":"https:\/\/www.tipo.pt\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.tipo.pt\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.tipo.pt\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tipo.pt\/fr\/wp-json\/wp\/v2\/comments?post=70"}],"version-history":[{"count":9,"href":"https:\/\/www.tipo.pt\/fr\/wp-json\/wp\/v2\/pages\/70\/revisions"}],"predecessor-version":[{"id":2420,"href":"https:\/\/www.tipo.pt\/fr\/wp-json\/wp\/v2\/pages\/70\/revisions\/2420"}],"wp:attachment":[{"href":"https:\/\/www.tipo.pt\/fr\/wp-json\/wp\/v2\/media?parent=70"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}